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2026.
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CREATIVE WORKSHOP FOR PROFESSIONAL ACTORS

Director and Actor Mario Banushi

Albania, Greece

Registration with CV (PDF), email: [email protected]

Between memory and intimacy 

Performance Workshop with Mario Banushi 

 

The workshop will take place throughout June 16 and 17 from 11 a.m. to 3 p.m. Those wishing to participate are asked to send their CV and photo (in PDF format, in English) by May 16 to [email protected], with the subject line: YOUR LAST NAME / BANUSHI WORKSHOPS

Your participation will be required throughout all hours on both days.

Participants selected by the director for the creative workshop will be notified personally on May 21–22.

Mario Banushi’s work is on the border between theatre and visual arts and is characterised by intimacy and storytelling through the atmosphere he creates in his performances. Pain and memory are intertwined with Balkan traditions and presented with unique sensibility.

In his workshop, he proposes interpretive tools that combine personal experience, the element of memory and exploring the way in which the person who interprets perceives and reveals. Particular emphasis is given to rhythm and its constant transformations, as a fundamental element that shapes presence, tension and emotional flow within the performance.

Participants will have the opportunity to get to know his particular surrealist aesthetic, where the prevalent logic of time and space is questioned, but also to explore their own universe, giving emphasis to the most hidden side of the individual and of the community. Memory is approached not only as a theme but as a living mechanism: a force that can activate the body and become a starting point for stage action. Through this process, personal memories are transformed into performative material, opening new pathways for creation.

Furthermore, they will be invited to utilise unexplored aspects of their artistic practices.

The workshop is aimed at professionals (dancers, actors) in the performing arts field, as well as students and graduates of professional dance and theatre schools.

 

Submitted CVs and the personal data contained therein will be used solely for the purpose of selecting participants for this workshop and will be processed in accordance with the General Data Protection Regulation (EU) 2016/679.

Theatre Director and Actor

Mario Banushi – (b. 1998) is an award-winning theatre director whose work has been presented internationally in cities including New York, London, Berlin, Milan, Vienna, Montreal, and Taipei. His practice moves between intimacy and myth, memory and family, articulated through a rigorously visual and non-verbal theatrical language.

Born in Greece and raised in Albania until the age of six, when he moved back to Greece, his artistic universe is shaped by displacement, family narratives, and a distinct visual sensibility. His works have been noted for their visual poetry and emotional depth, unfolding without words and inviting audiences into a sensory experience that transcends conventional theatre.

He studied acting at the Drama School of the Athens Conservatory, graduating in 2020. That same year, he directed his first short film “Pranvera”, which was selected for the Tirana International Film Festival. His theatrical debut, “Ragada”, was created and presented in Athens during the pandemic lockdowns, marking the beginning of a practice developed outside conventional theatrical spaces.

In 2023, Banushi premiered “Goodbye, Lindita” at the Experimental Stage of the National Theatre of Greece. The work quickly resonated with audiences and critics alike, leading to sold-out performances and invitations to major international festivals, including the Vienna Festival, the International Theatre Amsterdam, the Adelaide Festival, and BITEF in Belgrade, where he received both the Jovan Ćirilov Special Award and the Politika Award for Best Director.

His subsequent work, “Taverna Miresia – Mario Bella Anastasia”, premiered at the Athens Epidaurus Festival and has been touring internationally in multiple cities, including London, Montreal, and Taipei. Together with his earlier works, it forms the triptych referred to as “Romance Familiare”, a cycle exploring family memory through image-driven, text-free theatrical storytelling. His work has been featured in The New York Times and BBC, and reviewed by The Guardian, Le Monde, and Libération, reflecting the growing international attention surrounding his work.

Banushi’s most recent production “MAMI” is an international co-production with leading European festivals and institutions: Onassis Stegi, Berliner Festspiele, FOG Festival / Triennale Milano Teatro, Espoo Theatre, Festival d’Avignon, Grec Festival Barcelona, Théâtre de Liège, and Noorderzon Festival / Grand Theatre Groningen. Premiering in 2025 in Athens, the work deepens his poetic and visual language and was met with widespread acclaim following its presentation at the Festival d’Avignon, where critics praised its emotional precision and visual excellence.

Awards & Nominations

2026 // Silver Lion by the Venice Biennale

MAMI

2025 // Winner: New Theatre Artist Award – Hellenic Association of Theatre Critics – Greece

2025 // Nominee Lighting Design Award – Greek Theatre Critics – Greece

 

Taverna Miresia – Mario, Bella, Anastasia

2024 // Nominee ZKB Förderpreis (Patronage Prize) – Switzerland

2024 // Nominee Zurcher Theatre Spektakel 2024 Audience Award – Switzerland

 

Goodbye, Lindita

2023 // Winner: Bitef Special Award “Jovan Ćirilov” – BITEF Festival – Serbia

2023 // Winner: Politika Award for the Best Director – BITEF Festival – Serbia

2023 // Nominee: Lighting Design Award – Greek Theatre Critics – Greece

2023 // Nominee: Costume Design Award – Greek Theatre Critics – Greece

 

 

“At times, I was reminded of the hyperrealism of the Bavarian dramatist, Franz Xaver Kroetz: Banushi makes great play of the way that families use telly-watching to nullify their emotions. At other moments, Magritte came to mind: a door suddenly turns into a coffin, an arm miraculously appears from a wall as if the dead reach out to the living. […] I felt I was witnessing the emergence of an exciting new talent.”

 

Michael Billington – The Guardian / April 2023

“Mario Banushi is relatively unknown, but Goodbye Lindita’s success has clearly shown he’s a bright, young talent to watch out for.”

 

Nikki Bedi – BBC News “The Arts Hour” / July 2023

“Mario Banushi, a Greek playwright of Albanian heritage, is a rising star who represents the new face of Greek theatre.”

 

Arifa Akbar – The Guardian / July 2023

“In what is only his second professional directorial effort, Banushi shows a unique sensibility and is unafraid to stage an original vision and tackle a very sensitive subject.”

 

Andrej Čanji – SeeStage / October 2023

“While its wordlessness renders his work more accessible (and one might argue better suited to touring), the appeal of Banushi’s work lies in the way it intermixes religious imagery with the superstitious, the way it theatricalises the mystical, the way pain and memory are woven with folklore. Perhaps in the wake of a devastating pandemic which has been followed by a succession of brutal ongoing conflicts, with death filling our screens and dreams, this presentation of the rituals of grief offers audiences something primal, but for me the appeal lies in the atmospheric world-building, the intoxicating sense of the strange, the dash of old magic.”

Natasha Tripney – Café Europa / November 2023

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