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THE SAINT

15:30
2025.
05.
15
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OKT / Vilnius City Theatre

Small Hall
1.20 (without intermission)

Premiere 2024

Autobiographical drama

Authors of the dramatisation: Eglė Jackaitė, Kunigunda Dineikaitė, Dali Rust, Oskaras Koršunovas
Directors, set and costume designers, choreographers: Eglė Jackaitė, Oskaras Koršunovas
Light designer Vilius Vilutis
Composer Gintaras Sodeika

Cast: Eglė Jackaitė

Performance 16+

This performance contains smoking and smoke

Performance in Lithuanian with English surtitles

What would the story of Mary of Egypt be, a woman from the 4th century AD, wandering through the contemporary urbanised “desert” and searching for liberation? Is there less violence in our civilised society today? Is it more empathetic or tolerant? As we are talking about human rights, woman’s situation and freedom, are we really free from the ancient patriarchal legacy?

The story of Mary of Egypt, surrounded by rumours and mysticism, is the starting point for the creators of the play. This woman, who had to sell her own body in 4th century Alexandria, set out with pilgrims to Jerusalem. However, the gates to the Holy Sepulchre were closed to her. After that, she wandered in the desert for a long time, searching for repentance and peace.

“Mary of Egypt is a woman that never gives up. She moves forward after having experienced horrific violence in her life. I relate to this woman a lot. I feel her; I see myself in her story. It is not just a role: my soul here flies into the abyss and creates a new life. This play helps me get back on my feet; may it also help others. It is a play about a woman. It is about me and about the women I love – my mother, my friends. About every woman who is hurt, sad, who feels pain, who feels betrayed, who suffers violence. I think there are so many women in the world who have experienced suffering and violence”, – says Eglė Jackaitė.

According to the creators of the play, today we can see every woman in Mary of Egypt: the mother, the daughter, the sister, and the wife, each of whom has to walk the sharp edge between saint and sinner every day.

About the Play's Directors

Oskaras Koršunovas was born in 1969 in Vilnius. While still a student at the Lithuanian Academy of Music, Koršunovas presented the trilogy “There to be here”, “The Old Woman”, and “Hello Sonya New Year” on Lithuania’s main stages, and later brought it to foreign stages as well. It was based on the works of the twentieth-century Russian avant-garde writers Daniil Kharms and Alexander Vvedensky. Already at that time, the young director stood out for his unusual theatrical language. Although the first performances, including “P. S. FILE O. K.” by Sigitas Parulskis and “Roberto Zucco” by Bernard-Marie Koltès, were created under the aegis of the Lithuanian State Academic Drama Theatre (now called the Lithuanian National Drama Theatre), they were often referred to as a separate body, a theatre within a theatre. Theatre critics, titling their articles simply: “Oskaras Koršunovas Theatre?”, foresaw the inevitable emergence of a new theatre. Thus, the theatre was born – one that already had a name.
In 1998, the director, together with a few like-minded fellows, founded an independent theatre, called Oskaras Koršunovas Theatre, shortened to just OKT. Koršunovas, assisted by guest directors, has built a solid repertoire, which encompasses both contemporary drama and classic stagings. The director’s credo was to stage classics as contemporary plays, recognising what is relevant to the present time, and contemporary plays as classics, conveying what is universal and timeless. It became paradigmatic in that creative period. In the director’s opinion, contemporary theatre must reflect the present day and sometimes even be ahead of time, predict the future and act as a warning.
William Shakespeare’s “Hamlet” was presented in 2008. This play marked the beginning of a new phase in Oskaras Koršunovas’ biography. The director discovered a new workspace – the OKT studio and shifted towards laboratory explorations.
Koršunovas also intensively creates his works abroad. He has staged plays in the most famous theatres in Europe, such as Oslo National Theatre (Norway), the Royal Dramatic Theatre (Sweden), “Comédie-Française” (France), “Teatr Dramatyczny” (Warsaw, Poland), “Poreia” Theatre (Athens, Greece), Reykjavik City Theatre (Iceland), “Aarhus” Theatre (Denmark), and others.
The main prize of the Edinburgh Festival, awarded in 1990 to a student of theatre directing was a symbolic beginning, which has paved the way to most prominent international awards. The most prestigious of them – the Europe Theatre Prize for New Realities – was awarded to O. Koršunovas in 2006. In 2009, he was given the honourable title of the Chevalier of the French Order of Literature and Arts, and the next year he received the main prize at the Annual Meyerhold Assembly. In 2013, Koršunovas received the Hedda Award for the Best Director of the Year for his staging of “Peer Gynt” at the Oslo National Theatre.

Eglė Jackaitė was born in 1974. She graduated from Klaipėda University with a degree in acting (course director Povilas Gaidys). She has been an actress at Klaipėda Drama Theatre since 1996. Throughout her career, she has worked with various directors, including Oskaras Koršunovas, Agata Duda-Gracz, Laura Groza, Jonas Vaitkus, Gytis Padegimas, Arvydas Lebeliūnas, and others. Moreover, E. Jackaitė has appeared in films and on television. Since 2019, she has been actively volunteering at the “Women’s Helpline”. The actress has been nominated several times for the “Golden Stage Cross” Awards. “The Saint”, directed together with O. Koršunovas, is her debut in directing.

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